<div>(sorry for x-post)<br><br>Carissima lista,<br><br>è con grande soddisfazione che annuncio la pubblicazione del volume 14.2 di eContact!.<br>Questa edizione del giornale Canadese si concentra sulla pratica performativa con biotechnologie (Biotechnological Performance Practice).<br>
<br>Probabilmente i nomi di alcuni degli autori suoneranno familiari.<br>Ringrazio tutti gli autori che hanno contribuito a questa meravigliosa collezione di testi.<br>Al meglio delle nostre conoscenze, è la prima collezione che riunisce 40 anni di pratica e ricerca in questo campo.<br>
<br>enjoy your reading,<br>Best,<br>Marco<font size="-1"><b><br><br></b>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<b><br><br><br>PRESS RELEASE -- for immediate diffusion /
pour diffusion immédiate</b></font></div>
<div><font size="-1">Please forward at large.</font></div>
<div><br></div>
<div align="center"><font size="+1">Communauté électroacoustique
canadienne</font></div>
<div align="center"><font size="+1">(CEC) Canadian Electroacoustic
Community</font></div>
<div align="center"><font size="+1"><b><br></b></font></div>
<div align="center"><font size="+1"><b>eContact! 14.2 --
Biotechnological Performance Practice /</b></font></div>
<div align="center"><font size="+1"><b>Pratiques de performance
biotechnologique</b></font></div>
<div align="center">Guest Editor / Rédacteur invité: Marco
Donnarumma</div>
<div><br></div>
<div><br></div>
<div>[E] Biological technologies are computational systems driven by
physiological and corporeal processes of the body. Endogenous
mechanisms that would otherwise be imperceptible become manifest in
the form of data. The field of biotechnological music performance is
presented here through a set of fascinating articles describing
heterogeneous methodologies and idiosyncratic musical ideas. (July
2012)</div>
<div><a href="http://cec.sonus.ca/econtact/14_2" target="_blank">http://cec.sonus.ca/econtact/14_2</a></div>
<div><br></div>
<div>[F] Les technologies biologiques sont des systèmes
informatiques pilotés par des processus physiologiques et corporels.
Des mécanismes endogènes autrement imperceptibles deviennent
apparents, sous forme de données. Composé d'une série d'articles
fascinants décrivant des méthodologies hétérogènes et des
idées musicales idiosyncrasiques, ce numéro est une introduction
au domaine de la performance musicale biotechnologique. (juillet
2012)</div>
<div><a href="http://cec.sonus.ca/econtact/14_2/index_fr.html" target="_blank">http://cec.sonus.ca/econtact/14_2/index_fr.html</a></div><br clear="all"><br>-- <br>Marco Donnarumma<br>New Media + Sonic Arts Practitioner, Performer, Teacher, Director.<br>
ACE, Sound Design MSc by Research (ongoing)<br>The University of Edinburgh, UK<br>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~<br>Portfolio: <a href="http://marcodonnarumma.com/" target="_blank">http://marcodonnarumma.com</a><br>Research: <a href="http://res.marcodonnarumma.com/" target="_blank">http://res.marcodonnarumma.com</a> | <a href="http://www.thesaddj.com/" target="_blank">http://www.thesaddj.com</a> | <a href="http://www.flxer.net/" target="_blank">http://www.flxer.net</a><br>
Director: <a href="http://www.liveperformersmeeting.net/" target="_blank">http://www.liveperformersmeeting.net</a><br>